Showing posts with label Death Metal. Show all posts
Showing posts with label Death Metal. Show all posts

Monday, September 7, 2026

New Metal Review - "Nocturnal Visions" by Invictus


Album Name - Nocturnal Visions 

Band Name - Invictus 

Genre - Death Metal

Label - Me Saco un Ojo Records 

Release Date - January 26, 2026

Line Up -

  Toshihiro Seki - vocals, bass

  Haruki Tokutake - drums

  Takehitopsy Seki - vocals, guitars 


I didn't know about Invictus or their previous releases, as my habit of following Asian metal acts has long fallen out of favour. I only decided to check them based on the stuff people were saying on the internet about their strict adherence to the old-school death metal ways. And boy do they perform their duties diligently! Creating an immersive atmosphere to drown listeners into the murky black depth of death metal richness of ages past.


Invictus doesn't try to reinvent the wheel much, rather sticking to the basics of creating tight riffage and passionate growling to express their anger and disgust. The cohesiveness of the band as a unit is quite enviable, each member steadfastly complimenting their peers through their work. There are obvious signs of the band having influences from all over the old death metal bands, ranging from Autopsy to Pestilence and even bits of Bolt Thrower is apparent in their song writing.


The band is comprised of only three members, but doesn't hold them back from delivering an all-encompassing album. The vocalist  cum guitarist Takehitopsy Seki drives the show with his rhythmic and soulful riffs tearing the atmosphere apart and his intensely visceral guttural vocals complementing his passion. Toshihiro Seki delivers a persistent under the surface soundscape with his entrenched bass. And the machine gun like voracious, thrashing and utterly brutal drumming from Haruki Tokutake holds everything together.


At 35 mins length the album is like well honed crushing slab of concentrated death metal goodness. Invictus focuses much more on groovy and memorable hooks and riffs, the sparse guitar solos that are present are short, charged and punchy, never overstays their welcome, neither are overeager to impress with technicality.


It is really hard to try to find highlights among the tracks in the album, as the total works like a compact piece. Following the short intro, the journey starts with dual devastation of 'Abyssal Earth Eradicates' and 'Altar of Devoted Slaughter' with their tight and groovy riffs starting the onslaught which continues on relentlessly. I really liked the short and catchy 'Persecution Madness' and the brooding and heavy 'Wandering Ashdream'. The title track at the end is the true epic, and rather one piece of out of the box thinking, and it really works like a charm. With the purposefully slowed down chunky and hard hitting riffing dragging the listener into the endless depths,the track end with maybe the flashiest guitar solo in the album and immediately made me restart the album from the beginning.


Invictus has truly delivered a masterclass in honoring the golden days of early death metal by creating the almost perfect homage. I just wish it was a bit longer and had a few more pieces like the title track. But this band definitely gained my following from now on.


Overall Score - 

                                 8.5 out of 10.


For more info check out the bands official website and their metal-archives page -

https://invictus3.bandcamp.com/music

https://www.metal-archives.com/bands/Invictus/3540402090   

Friday, August 14, 2026

Metal Review - "Air Not Meant for Us" by Fires in the Distance


Album Name - 
Air Not Meant for Us

Band Name - Fires in the Distance

Genre - Melodic Doom/Death Metal

Label - Prosthetic Records 

Release Date - April 28, 2023

Line Up -

  Craig Breitsprecher - vocals, bass

   Jordan Rippe - drums

   Yegor Savonin - guitars, synths

   Kristian Grimaldi - guitars, vocals


Do you like some melody in your doom/death metal? Or music that unearths the melancholy, grief, and sorrow that you have been keeping buried deep within? Or just some truly well crafted soothing aggression packaged in crisp production to cure that nostalgic itch you have been craving? Then stop reading this and listen to this album by 'Fires in the Distance'.


The band creates an almost perfect mixture of the brutality of death metal with guttural vocals and heavy riffs, combining it seamlessly with the soaring and melodic melancholy of emotional doom metal aesthetics. The emotional vocals and dual baseline are complimented by virtuoso lead guitar, piano, synths and machine like drumbeats creating a sense of progressive technicality pervading the album.


The album keeps the music following since the short piano intro of 'Harbingers' and everything seems to work as a whole. The listener gets gripped in the sorrowful emotional onslaught that is unrelenting yet beautiful. The 50 minutes seem to end too quickly that I, as a mesmerized listener, immediately returned to the opener to once again immerse myself in this gloomy atmosphere.


The main problem with melodic metal albums these days is that they often have tracks that seem to sound too similar and repetitive, making the listener feel like they are hearing songs they have heard before, or forget about their experience. But here, these guys create a unique experience by making each track distinct yet making them also seem like part of a whole somehow.


'Wisdom of Falling Leaves' and 'Psalm of the Merciless' are rather shorter and tighter doom death songs; the instrumental track is reminiscent of early melodic death pieces with typical melodic riffs. 'Idiopathic Despair' has a soothing piano-based middle part with crushing beginnings and ends, while the first two songs attempt to give us the combined taste of the best of both genres. 


It is really hard to find any standout track in here but the opening 'Harbingers' and 'Crumbling Pillars Of A Tranquil Mind' truly represents the best of what the band has to offer here, while the instrumental track 'Adrift, Beneath the Listless Waves' creates a somewhat break by giving us more straight forward melo-death elegance and a moment of clarity.


Another topic worth mentioning is the poetic lyrics dealing with personal struggles, emotional anguish, and dread of existentialism. Listener like me who often look to the lyrics for some depth and meaning, this was another positive for the album. 


If I had to nitpick, I wish there were some other melodic instruments, some clean vocals and maybe the length could have been made a bit shorter to make this ever more memorable.



Overall Score -

                         8.5 out of 10.


For more info check out the bands official Bandcamp page and their metal-archives page -


Thursday, April 30, 2026

New Metal Review - "Outward Streams of Devotional Woe" by Unsouling


Album Name - Outward Streams of Devotional Woe

Band Name - Unsouling 

Genre - Experimental Black /Death Metal

Label - I, Voidhanger Records 

Release Date - October 3, 2025

Line Up -

  A.S. - All Instruments and Vocals


I am always a bit sceptical about one man projects, because while there are quite a few brilliant genre defining stuff like Bathory, Burzum, Leviathan etc there are also countless mediocre and bland stuff. It is really hard to invigorate with real and emotional instrumentations rather than relying on programmed bits and uninspired copycat performances. But despite my reservations, I finally decided to go with it due to the short length of the album.


The album opens with 'Immaterial Entrance', a rather straight forward eerie black metal track, which gives a chilling wintry vibe immediately hitting listeners with an unhealthy dose of anguish and grief. From the get-go the album never transcends the sense of overwhelming icy hopelessness, rather embracing it and trying to mold the musical experiment with other forms of extreme metal.


There is a bit of doom metal depth, some crushing OSDM styled riffs, and even a dose of post metal shenanigans. The feeling often gets angrier with some growls and heavy drumming, but eventually always returns with a sense of foreboding and dreadfully nuanced emotionally charged blackened depth. The melodic bits interspersed between tracks and two minutes long instrumental song do provide a welcome distraction and create a distinguished sense of impending disaster.


The vocals are mostly harsh and often buried beyond the music, but overall create a sense of being part of the background. I rather liked the cleaner bits on offer on 'Your Momentary Passing' and 'To Come Unbound', and would have liked if there were more of such pieces throughout. The drumming seems to be live rather than programmed which is always a bonus point in my book.


My main problem with the album is that it never really delivers on the promise it often eludes. There is not enough experimentation; despite the genre blending, it never reaches the stage of something never done before. The vocals are not distinguished enough, and the overall experience seems too short. Hopefully, the next outing of this project will address these shortcomings.


Overall Score -

                         7.5 out of 10.


For more info check out the bands official Bandcamp page and their metal-archives page -

https://unsouling.bandcamp.com/

https://www.metal-archives.com/bands/Unsouling/3540538398   

Friday, May 4, 2018

New Metal Review - "Relentless Mutation" by Archspire

Album Name - Relentless Mutation 
Band Name - Archspire 
Genre - Technical Death Metal 
Label - Season of Mist 
Release Date - September 22nd, 2017 
Line Up -
  Oli Peters - Vocals

  Tobi Morelli - Guitars
  Dean Lamb - Guitars
  Jared Smith - Bass 

  Spencer Prewett - Drums

I still fondly remember the time when I was deeply in love with the music of 'Necrophagist'. That phase passed quite quickly and I never really got interested in any other technical death acts much (well, it's hard to after you listen to the best that the genre has to offer actually), but I never forgot 'Muhammed SuiƧmez' and his excellent song-writing. It's been a long time, its 2017 and 'Archspire' has managed to make me relive that elation.