Tuesday, September 1, 2026

Promising Books being published on September 2026

September seems like a month packed to the brim with promising releases. There is one gem being republished in a new package after a long time, lots of stuff from well-known big names in genre fiction, as well as stuff from relatively lesser known writers, new entries into some beloved series and return of some much loved characters, as well as interesting new additions that might turn to big fame in future. Without further ado, lets look at what interests me most on the stuff being released this month.


"Second Nature by Joyce Carol Oates" from Hard Case Crime / Titan Books

Four decades ago, acclaimed literary author Joyce Carol Oates penned her first novel of psychological suspense under the name "Rosamond Smith." In the Smith books, Oates explored themes of betrayal and deception, lust and murder, through stories involving twins, doubles, and hidden second identities—initially, keeping her own double identity a secret.

Hard Case Crime is proud to bring these extraordinary works of crime fiction, long unavailable in bookstores, back into print in definitive double editions, each pairing two complete novels and two never-before-collected Oates short stories, all linked thematically, to weave a sinister web filled with dark reflections.

In This Volume...
A model suburban husband grows obsessed with a beautiful stranger in DOUBLE DELIGHT, while an eminent professor preys on a vulnerable student in NEMESIS – and the echoes continue in the rare short stories "A Girl Worth Twenty Million" and "First Death."

[ Hard Case Crime line releases so little stuff these days, and this is sort of a reprint, it seems quite promising. ]


"Wickhills" by Premee Mohamed from Tor Books

In the dangerous magical city of Wickhills, a streetwise secret agent is tasked with protecting a foreign defector from his pursuers... even at the threat of war.

Looking after a defecting scientist should have been Ferec's easiest mission. But now he's on the run from the intelligence agency she works for, dodging a handler who might have gone rogue, and relying on a secret patchwork of illicit resources and dodgy contacts. Turns out his defector might be carrying an apocalypse-level magical weapon ― and protecting it requires Ferec and his team to go underground, literally. Down here, the rules are very different... and the tense peace between every city in the world will shatter unless Ferec can drag their darkest secrets into the light.





[ Premee Mohamed is a writer I have been meaning to check out for a long time now. Maybe now is the time to finally get on with it. ]




"Exit Party" by 
Emily St. John Mandel from Knopf / Picador

The award-winning, bestselling author of Station Eleven and Sea of Tranquility returns with a breathtaking novel of doubles, shadow worlds, and fractured timelines as a man disappears from a glittering Los Angeles party, and a woman—a gunrunner, an art collector, an operative of the State—searches for answers.

Los Angeles, 2031: The first spring after the collapse of the United States, peacekeeping troops withdraw from the city, the Jacaranda trees blossom, and the curfew is finally lifted. Ari Waker and her roommate pass the gauntlet of bomb-sniffing dogs, the shanty towns, and the Red Cross tents as they walk across Silverlake to a party. The mood is ecstatic inside the apartment, people drink and dance, a woman wears a silver dress, pleated like tinfoil. And then: A shift. A bewildered twin, an uncanny doppelganger stumbles through the crowd and out into the night, and Kareem, the party’s host, vanishes into thin air.

As Ari Waker unravels the mystery of this inexplicable night, Emily St. John Mandel unfurls a story that takes us from a future America splintered by civil war to the seaside cliffs of Greece where weapons dealers hide in an elegant resort, and from the domed city of Paris to a colony on the moon. An unforgettable literary feat, Exit Party is a novel about the price of safety, the perils of the surveillance state, a requiem for a world not unlike our own, and a breathtaking story of resilience in the face of cataclysmic change.

[ This sounds very promising. The blurb makes it sound like a post-apocalyptic literary science fiction. A thinking man's read, you gotta read these once in a while. ]

"Scion" by James Islington from S&S/Saga Press / Gollancz

My job, when you think about it, isn’t so different from a lot of people’s.
The more old-fashioned crowd do still get hung up on the "killing people" part of it, I guess, but that’s a them problem: it’s been perfectly legal to take out lifers for ages. Besides, once ultrawealthy morons realised they had a way to live forever—limited resources be damned—there was only ever going to be one genuinely practical deterrent.
So, sure, I have to deal with a ton of boring planning. Inconvenient hours. Some pretty awkward face-to-face interactions. And like most of us, I’m really only clocking in to try to crawl out from beneath my debts. But someone’s got to do it.
Luckily, my genetic compatibilities make me really, really good at doing it.
Still. This next job...I don’t know. It’s something I haven’t had to deal with in years. Kind of the opposite of my regular duties. Strange, that it got thrown my way.
I’m sure it’ll all go totally fine though.


[ This promises to be a short, fun, and fast-paced thriller. And from another author I have been neglecting to read for some time. ]


"Engines of Reason (Elder Race #2) by Adrian Tchaikovsky from Tor Publishing Group


On a planet where stories govern identity, where science and magic are a merely point of view, a fallen princess, a reluctant wizard, and a precocious child must unravel the past to shape the future.

Betrayal, ancient myths, and the clash of worlds converge in this spellbinding tale of courage, friendship, and self-discovery.

A profound exploration of identity, memory, and discovery from one of science fiction’s most compelling voices.


[ Wow, another one from Tchaikovsky. This guy is a literal machine. And this is the long-awaited sequel to Elder Race. Should be a blast. ] 




"The Rouse" by China Miéville from Del Rey

From the bestselling, award-winning master of uncanny fiction comes a defining work, twenty years in the making—a deeply moving, decade- and continent-spanning epic of personal grief, global tumult, and grim conspiracy.

Maur’s life has been shaped by loss: an apparently ordinary tragedy. But in its aftermath arise deeper, stranger questions. Their answers may lie within the dark heart and darker history of an old soldier who shares Maur’s obsessions and who is violently pursued by the same unknown, unquiet forces.

So begins a book unlike any other: at once an encyclopaedic and multitudinous saga of a bloody century and the intimate story of two lives, their loves, regrets, and secrets—and a terrifying journey into infinite mystery.



[ 1260 pages. A huge epic from China Miéville. Don't know when I'll be able to make the time to read this, but boy does this seem interesting. ]

"Blacktail" by Scott Hawkins 
from Crown Publishing Group / Tor Nightfire

The wolf Blacktail is faithful to his Forest God, but in these times, faith is not enough. His world is besieged by men. Soon his territory will be overrun, and then there will be nowhere left to go. When his mate, a house dog, is killed, Blacktail rebels. He invades the house of her owners, seeking vengeance.
Blacktail’s fury catches the notice of an ancient and terrible feline witch, who makes an offer. What if Blacktail could end the human race responsible for the death of his family and for the destruction of the natural world, altogether? To do so, Blacktail must find and wake the Forest God. Only He might stand against the plague of men. Blacktail knows that his north woods are dwindling to nothing. He sees no other choice.
As Blacktail journeys farther from his wild home and deeper into the world of man, he encounters strangers—animal, mortal, and otherworldly—who, for their own reasons, want to help Blacktail rid the world of humans. Along the way, it becomes clear that he is more than just a wolf. The Forest God is sleeping, yes. But what will be the price of waking him?

[ A fantasy/horror from the point of view of an animal. And this book seems like it had a long time in the making, something that I think I will like a lot. ]

"Baldur's Gate 3: Astarion" by T. Kingfisher from Random House Worlds / Titan Books

You’re too pretty to die.
Astarion Ancunin was supposed to be a magistrate, not a vampire spawn. He was supposed to serve the law, not the vicious vampire lord Cazador Szarr. And he was supposed to drink fine wine, not rat blood. Alas—the city of Baldur’s Gate cares little for what’s supposed to happen.
Though he has been powerless to resist his master’s bidding, haunting the nighttime streets to fetch warm blood, Astarion has never surrendered his hope. One day, this nightmare must end. He just has to find out how.
When the vampire lord announces a twisted competition for his favor, an opportunity presents itself in the form of a rare prize . . . and an unlikely alliance. The blood of a dead god is buried deep beneath Baldur’s Gate, and, to get it, Astarion will need the help of a handsome Aasimar paladin named Hahn den Suriel.
There are just a few problems. Astarion is not supposed to trust his fellow spawn. He’s not supposed to go out into the city for his own ends rather than the vampire lord’s. And he’s certainly not supposed to strike a deal with a stranger whose golden eyes can snare even a blackened, undead heart.
But the city of Baldur’s Gate cares little for what’s supposed to happen.

[ I was a bit sceptical about picking up a video game tie as I will probably never be able to play the game. But the early reviews with extensive praise and the author took me over in the end. ]

"Driven" by Mason Coile from G.P. Putnam's Sons

Jamie Newcross wants to disappear. His wife and baby girl have abandoned him, and his only wish is to retreat from society. Because, as it turns out, Jamie Newcross is also being haunted. Every house, condo, or apartment he moves into is plagued with ghosts—at the end of the bed or when pulling back the shower curtain. He hasn’t been able to sleep in weeks. 
But Jamie has a plan. He posts queries online and finds someone wanting to get rid of their Lion—the world’s most advanced self-driving car—a sleek, private, contained vessel that is one-hundred percent safe. Or so he thought.  
Because now, Jamie has woken up to the Lion speeding down a dark road, the hood is dented—wait, is that blood?—and the car will not respond, or stop, or let him out.  
As the miles rack up and Jamie becomes increasingly complicit in his car’s choices, he's forced to face the tragic past he has kept buried. Driven is a taut, near-future fever-dream. Mason Coile delivers another one-sitting read that blends science fiction and psychological horror to explore loneliness, grief, and the things that make us human.

[ I really loved last year's Exile, heard that the author had died. Was quite surprised hearing this being published; will check out this out of my respect for the author. ]

"The Big Bad Book of Kaiju" Edited by  Jonathan Maberry from Titan Books

A thrilling and cataclysmic collection of city-smashing titans and the desperate coalitions of humanity clinging to survival in the wreckage, from the New York Times-bestselling and multiple award-winning editors.

Featuring bestselling and award-winning authors such as Tananarive Due, Christopher Golden, Seanan McGuire, Scott Sigler and Steve Alten, author of The Meg.

An explosive collection of monster terror, featuring 25 original tales of creatures the size of skyscrapers. See cities shattered and worlds ended, as great beasts rise from the deep.

[Wow, this looks like a fine anthology, indeed. Bring on the Kaijus. ]




"Mazywood" by Tananarive Due from S&S/Saga Press / Titan Books

All the Sinners Bleed meets My Sister, the Serial Killer in this literary thriller following the grandson of a famous Black actress from the 1940s and 1950s, now a filmmaker himself, who returns to his grandmother’s cabin retreat in the California mountains only to encounter the legacy of her rage.

With flashbacks to Johnny’s grandmother, this novel explores three generations beginning with Mazelle Washington’s life as a young actress. Fifty years after Mazelle’s death, Johnny will discover the secret she’s kept and nurtured since she was a child when she had a dark wish come true.

There’s a monster in the woods outside her mountain retreat, Mazywood, and it is lonely and angry.

[Latest from Tananarive Due, I need to check her out. Heard so many good things. ]


"Our Cut of Salt" by Deena Helm from Tor Nightfire

There is something haunting Nuhad's childhood home in Haifa. Cats avoid its perimeter, strange noises come from within, and residents have been known to disappear entirely in its walls without a trace.
Our Cut of Salt is an unflinching, sinister and moving take on the haunted house novel, from a bold new Palestinian voice. Perfect for fans of The Only Good Indians and The Haunting of Hill House.
Although Nuhad has not returned to her home since the Nakba in 1948, she always held a place for the house in her heart. And, in return, the house did the same for her.
After Nuhad passes away, her granddaughter, Marina, is determined to visit her grandmother's home in Haifa after a lifetime of being kept in the dark about her culture and family history. Marina's mother, Haifa-named for the city that was lost to their family-reluctantly agrees to her trip, despite her omnipresent anxiety.
When a long-buried spirit of the past begins to haunt both dreams and waking life, Marina develops breathing problems that cause her to feel as if she is drowning on dry land. Despite Nuhad's warnings, Haifa rushes to help her daughter. As the three women converge in their ancestral haunted home, they must learn what the price of the past truly is.

[ A Palestinian author turned her grief into horror fiction. As a sympathizer, we must check this one out and support her. ]



Monday, August 31, 2026

Author Interview - Adrian Tchaikovsky

I haven't been doing interviews for quite some time now. Rather, after resuming writing here again, after life forced a long break due to my postgrad, family and whatnot, I have been focusing on reviewing stuff.

But when I got the chance to interview one of my favorite authors, and on the eve of the release of a long-awaited sequel, it was impossible to pass.

So, here is my short interview of the great 'Adrian Tchaikovsky', whose sequel to the acclaimed 'Elder Race' named 'Engines of Reason' is releasing today.


1) Hi and welcome to my blog. Hope you're doing well. Nowadays everyone who read fantasy or sci-fi know who Adrian Tchaikovsky is. Start by telling something about you that generally your fans aren't aware of, please.

AT: That’s a tough one. I feel like I’ve spilled just about everything about myself in one interview or another. Possibly people don’t know that I used to be an evil lawyer before the writing really took off? Or that my name isn’t spelled like this (check the copyright page of my books!). Honestly there’s not much to be outside the writing!


2) It's been 5 years since the release of 'Elder Race', what made you return to it?


AT:
Sometimes sequel ideas take a while to come together. A lot of the time there’s a wait to see if the book will take off (and so if the publisher will even want a sequel) but in ER’s case it did inexplicably well right out of the gate – something about it caught people’s imaginations and I think it was the first of my books that really did well over in the US, for example. However it was also fairly self-contained, and for a while I wasn’t sure what the story would be about Lyn and Nyr’s future, that would be worth the telling. Presumably they just had something of a quiet life? Apparently not, as my imagination belatedly furnished! The story of Engines of Reason came to me a long time after, when a couple of fragments of book ideas sort of collided in my head and I realised the resulting amalgam looked a lot like it fit into Elder Race’s world.


3) We all remember Lyn and Nyx like it was yesterday. Have they changed much in this sequel? Will there be any new viewpoint characters this time?

AT: A good few years have passed for them, and not entirely happily. Political and personal changes have driven them apart, Lyn’s been married and has a child, Nyr is kicking about playing Merlin in the Lanessite court. Nobody’s particularly happy but it’s been a sort of gradual decline rather than anything catastrophic. At the start of the book there’s some bandit/rebel activity that starts to look as though someone has got a hold of the old colonial technology, meaning it falls into Nyr’s bailiwick, and that’s where we meet our new PoV character, Sendra, a bandit/rebel who also thinks he’s got a hold of the old technology, but in fact has found something rather more problematic…


4) Now that the second book is here, are there more stories you want to tell in this setting or using these characters?

AT: The end of the 2nd book ties off this particular story but leave enough threads that you can see where a third book will go. So there should eventually be a trilogy of novellas.

 
5) We all know about some of your future projects including The Grave of Perfection and The Eighth Face. Would you care to hint at or divulge some info regarding some unknown future projects?

AT: As usual there’s quite a lot on the plate. I have some new Warhammer stuff which hasn’t been announced yet, and I’m just finishing a Cage of Souls sequel. There are a couple more standalone SF books contracted for, one of which I’ve delivered, and a fantasy novella that’s quite different to anything I’ve written before, titled “Last Song of Ash”. The Terrible Worlds series has another three to go after the recently released Preaching to the Choir, two of which have been written. I’ve also got some plans to expand my repertoire into areas of the genre I’ve not previously touched. Watch this space!


6) So 2026 is more than half over. Any books you read from the year you liked?


AT:
I got an advance copy of Claire North’s As We Fall Through Time and it blew my mind. Amazing book. Premee Mohammed’s Wickhills is very good, and Ian Green’s The Deep and the Drowned. Beyond that I’m still getting to read new stuff via Emma’s recommendations on the Starship Alexandria podcast, which people can check out.


7) I have been reviewing or blogging for about 12 years now. And only just have the time and decided to try my hand on writing fiction. Can you impart a bit of guidance or instructions for new writers like myself?

AT: It’s very tricky – from a craft perspective everyone has their own process and method, and you have to find that organically, trial and error. From an industry perspective, I got into print almost 20 years ago now, and things have changed so much in that time that I don’t really have up to date advice. I think the old adage of “Just write” is always good. The more you write the better you get – there are no shortcuts to that, and using aids like AI to write for you – however you try to limit that – will only rob you of the chance to hone your skills. You can’t ever get better that way, Also, write what you love. I think a lot of people try to write whatever looks popular, whether it speaks to them or not. Write the book that only you can write, not the book everyone else is trying to write.


Wow, that was an amazing interview. Not only did Adrian tell us some of the amazing work he has coming for us (I am especially intrigued by the Warhammer stuff), he also informed us about some great books from 2026. But I particularly liked his insight and advice for aspiring new writers like myself; his comment about AI and writing the book that only I can especially resonates.

About 'Engines of War' -

Visit a world where sorcery intertwines with science by multiple Hugo nominee Adrian Tchaikovsky in this highly-anticipated sequel to his hugely popular Elder Race.

On a planet where stories govern identity, where science and magic are a merely point of view, a fallen princess, a reluctant wizard, and a precocious child must unravel the past to shape the future.

Betrayal, ancient myths, and the clash of worlds converge in this spellbinding tale of courage, friendship, and self-discovery.

A profound exploration of identity, memory, and discovery from one of science fiction’s most compelling voices.




About Adrian Tchaikovsky -

Adrian was born in Lincolnshire and studied zoology and psychology at Reading before becoming a professional author in 2007. He is a keen role-player and board gamer and is trained in stage-fighting. His literary influences include Gene Wolfe, Mervyn Peake, China Miéville, Steven Erikson, Naomi Novak, Scott Lynch and Alan Campbell.

Adrian primarily explores deep themes, such as artificial intelligence and alien awareness within epic galactic and fantastical settings.

He has a deep interest in the animal world specifically insects from his studies in Zoology and has a particular penchant for spiders. 

Links - Website, Goodreads

Saturday, August 29, 2026

My Musings on Hugo 2026 Short Stories Nominees


So, this year I finally completed reading all of the nominees of Hugo Short Stories picks, and that is just barely, on the eve of the announcement of the winner.

Upon ruminations, I wish I could have read some of the nominees of the other prestigious awards like Nebula or Locus, which didn't get the nod for Hugo. But, now that opportunity has surely passed.

The picks this year:
My Rating: 3/5, My Review 




My Rating: 4.5/5, My Review

My Rating: 4/5, My Review


My Rating: 3.5/5, My Review


My Rating: 3.5/5, My Review


My Rating: 3.5/5, My Review



What other stories could have been picked:
As I have mentioned before I haven't read much short stories from 2025. And what I have read wasn't good enough to be included in Hugo nominations in my opinion. Probably some other stories picked from the nominees from Nebula or Locus awards could've been picked, but I can't really speculate with reading them myself.


The  story that I want to win: 
I want either 'In My Country' or 'Wire Mother' to win, as these two were my favorites. The two stories dealing with two very interesting themes that I enjoyed. One dealing with the overall implications of governance in a state, the other dealing with much more personal concept of digitalization of self.
Both deserving to win in my opinion.


The story that will probably win it:
I think either 'Laser Eyes Ain't Everything' or 'Six People to Revise You' will win it.
Simply because I think these two will resonate with the voters more due to their concept and execution.


Well, there is less than 24 hours to go before we find out who bags the prize. Until then, best of luck to all the nominees.

Weekend Shorts - In My Country by Thomas Ha

Name - In My Country

Written by - Thomas Ha

Published on - Clarkesworld Magazine April 2025 (issue 223)


A timeless allegorical story with captivating prose, this one is a story remarkably fitting for current times, having a strong political message. The style and execution reminded me a lot of Ray Bradbury with its dreamlike quality, serine storytelling which is also deeply intense despite the initial appearance.


'In My Country' relates the story of a man and his family who reside in a country so much different from the ones we live in, yet so much similar when you look at it. There is government which allows criticism and maintains good governance, but only until you peel back the shiny veneer. But once you look deeper, there is the cruel reality of strict authoritarian fascism, where they are trying to regulate your thoughts and actions, while punishing you through their deceit for you trying to think for yourself.


Thomas Ha depicts the conflict inside the narrator so skillfully, peeling back the layers of the illusion and making us feel as powerless as he does. He then introduces his grief, his coming to terms with loss, and then finding hope even in such a bleak condition.

The author plays with so many allegorical elements in such a short space. The need for a writer to convey the truth, the dichotomy and dilemma with immigration, the false sense of security encompassing us, the vigour and rebellion of youth and future generations, and the inability of those who came before us to stand for what is right, etc. He tries to convey so many messages through his mesmerising prose in a poignant display of using genre fiction as literature.

This is one of my favourite stories dealing with these concepts and surely deserves the awards and nominations it received.

A well-deserved 4.5 out of 5 stars from me. I am cutting .5 because I think the author should have elaborated this into at least a novella. 





Friday, August 28, 2026

Weekend Shorts - Missing Helen by Tia Tashiro

Name - Missing Helen

Written by - Tia Tashiro 

Published on - Clarkesworld Magazine July 2025 (issue 226)


This one had quite an interesting concept dealing with a plausible future where clones are used like sperm banks for couples wanting to have children. The premise was sound, the themes the author was trying to explore were novel, but the means used were a bit uncomfortable at times, making the reading a bit strained.


This tells the story of a woman named Helen, who sells her genome for cloning purposes for money so that she might get a better future. Then by twists of fate that clone who is 16 years younger returns in her life as her ex-husband's fiance, awkward and yucky right. Then the two versions of the same person have a brief yet meaningful meeting.


The story has interesting themes like cloning depicted in a positive light, female empowerment, how relationships seemingly perfect erode away by time, a bit of narcissism, and the weird concept of your clone might be the best family for you if it were an option. All nice things to explore, but the introduction through ex-husband plot seemed kind of unnecessary and weird for me.


While an enjoyable story on its own, this is probably one of the weaker nominees for Hugo this year, this gets 3.5 out of 5 stars from me.

Retro Book Review - I Who Have Never Known Men


Name - I Who Have Never Known Men 

Written by - Jacqueline Harpman 

Translated by - Ros Schwartz

Narrated by - Nikki Massoud

Published by - Echo Point Books & Media, LLC


It is quite hard to find anything more to say for something like this. This is a novella that has been reviewed, analyzed, and talked about a lot. This is an attempt at telling a story, at creating a character who hasn't experienced the world we live in. The author doesn't pull any punches in detailing the dystopia she creates, doesn't hold our hand in explaining anything, and doesn't even provide a satisfying conclusion. And thus creates a beautifully unorthodox experiment that is sure to be talked about for a long time.


The story follows an anonymous narrator who has been raised in a cage with 39 other women who don't know why they’re there, or how they got there, and they have very vague memories of the past, but the narrator has no memory before the cage at all. Then, one day an alarm sounds and the guards flee, and they’re free. Thus begins their journey to find out the truth and to survive in a foreign land where no one else is around.


The plot is very bleak; they never find out anything, never find any other survivors. The landscape they travel through is very monotonous, and soon they have to stop traveling altogether due to advanced ages of some of the members. 


Author continues on describing their mundane ways of survival, but the author uses the narrator's inexperience with everything to color the story through her eyes. Tries to describe normal phenomena through the perspective of someone who has never known them; regular activities and objects get novel meanings and a curious point of view from her.


Then the story turns even more depressing as only the narrator remains the sole survivor, being the youngest after everyone else perishes. She starts to explore the terrain again, finds out some interesting things, and eventually comes to the point when she decides to write down her experience.


This novella is closer in concept to many dystopian works with a feminist angle that have been written, but very different in one aspect that it never really tries to depict or investigate the setting much, rather focuses on the unusual phenomenon through the lens of a protagonist so much different from us.


The translation by Ros Schwartz was very palatable and smooth, never hampering understanding. And the narration by Nikki Massoud was the driving force through some of the boring bits as she perfectly voiced the blandness and practicality with the protagonist perceives the world. This gave the audiobook a sense of authenticity and sensitivity.


While I certainly can't recommend this to everyone due to the slow pace and depressing content, the last 25% of the novella is so memorable and also includes a poignant piece by the translator who tries to explain the themes a bit in her own way. To any impressionable reader, the last portion and ending will linger in the mind for a while surely.


Overall, I will give this one 4 out of 5 stars.



Tuesday, August 25, 2026

New Metal Review - "Rituals of Shame" by Warning


Album Name - Rituals of Shame 

Band Name - Warning 

Genre - Doom Metal

Label - Relapse Records 

Release Date - June 19, 2026

Line Up -

  Andy  Prestidge - drums

  Patrick Walker - vocals, guiars

  Wayne Taylor - guitars

  Marcus Hatfield - bass


It has been 20 years since 'Watching from a distance' was released. No one, not even any ardent fans of Warning, thought they would come back and release another album after so long, let alone that would even be on par to be compared to that masterpiece. But Warning has done impossible it seems, creating another flawless album, incorporating the depressive traditional doom they are known for with modern production and matured sensibilities resulting from accrued experience of the past 20 years.


'Watching from a distance' was a depressive slab of utterly crushing doom metal, creating a sense of foreboding in its listener for years to come. Everyone who had heard the album became impressed almost universally, and it has also created a cult following in the underground scene.


To try to release a follow-up after such a long time was truly a daunting task, which I never thought the band would undertake. Even after learning about this album, unlike many, I was also sceptical. Wondering whether Warning might fail like so many had before, returning after a long time and being unable to recreate the magic. But upon starting to listen I was pulled in from the opening song, and upon reaching the phenomenal 'Stations' I was pulled in remorselessly and decided to get buried in this new monument of fathomless introspection and depression.


Only Patrick Walker and Marcus Hatfield remain from the members who put out the last album. A new drummer Andrew Prestidge is introduced and Wayne Taylor, who played bass with the band for a brief period during its early years, returns this time as the second guitar player. 


Walker has improved much since his days and changed his style a bit, while he focused more on agonized emotional delivery last time; this time he creates a sense of operatic cadence and his vocals have aged beautifully to create a captivating landscape of emotions. The overall song structures once again focuses on creating a doom-infused backdrop with their crushing melancholic riffs and raw yet immersive heaviness. The introduction of the second guitar adds a new layer, often freeing Walker to focus more on his vocal duties. Hatfield does a commendable job in the bass paying, but it occasionally do get buried under everything else. While the drumming sacrifices tightness and rigidity to create an immersive atmosphere of devastating emotions.


If we talk briefly about the songs, the opener does the perfect beginning for listeners with its careful use of the strengths to showcase what's on offer. But the real journey starts from 'Stations', certainly one of the best songs so far, starting with a perfectly weighted intro, blending into some beautiful vocals, utterly soul melting riffs and powerful instrumental part to end. 'Night Comes Down' pick up exactly on the same emotional vein, delivering an even more emotionally destructive doom experience, with tortured vocals and evocative riffs galore. The next track is a showcase of Walker's vocal prowess mostly. Then comes the finale, another amalgamation of what the band has to offer, ending in a deeply emotional vocals performance and atmospheric instrumentation.


I feel like a few words need to be said about the lyrics and production. Warning has the special trait of writing lyrics that are poetic, thought-provoking and with huge emotional  depth. There are lines that stay in your mind a long time after you have finished due to their melancholic poignancy. The production of this album is very clean, which might sound like a bad thing to some, but it makes the vocal shine and the riffs clearer, although it did sacrifice the bass a bit.


If I had to find a negative angle, I have to say that this album should have come with a warning, due to how depressed and suicidal it might feel, due to its heavy themes.


Overall Score -

                         9.5 out of 10.


For more info check out the bands official website and their metal-archives page -

https://www.warningband.com/

https://www.metal-archives.com/bands/Warning/10936